Ottorino Respighi
Violin Sonata in B minor, P 110
Moderato
Andante espressivo
Passacaglia. Allegro moderato
Anton Arensky
Piano Trio in D minor, No. 1 Op. 32
Allegro moderato
Scherzo. Allegro molto
Elegia. Adagio
Finale. Allegro non troppo
Ottorino Respighi
Violin Sonata in B minor, P 110
Moderato
Andante espressivo
Passacaglia. Allegro moderato
Anton Arensky
Piano Trio in D minor, No. 1 Op. 32
Allegro moderato
Scherzo. Allegro molto
Elegia. Adagio
Finale. Allegro non troppo
Nell'ambito del Progetto Speciale:As part of the Special Project:
Nel segno di Dvořák e Brahms: il pianoforte da camera
Nell'ambito del Progetto Speciale:As part of the Special Project:
Futuro Presente
Con il sostegno di MiC e di SIAE, nell'ambito del programma With the support of MiC and SIAE, within the framework of the program Per Chi Crea
In collaborazione con In partnership with Fondazione Sylva
Disponibile pullman A/R da Lecce (Porta Napoli)
Servizio a pagamento - 12 euro
Info e prenotazioni:
Return bus available from Lecce (Porta Napoli)
Paid service - 12 euros
Info and reservations: federicaoperaprima@gmail.com
Nell’ambito del Progetto Speciale “ Nostalgia e ironia in Rachmaninov e Poulenc”
As part of the Special Project "Nostalgia and irony in Rachmaninov and Poulenc"
Beatrice Rana performs at the world’s most esteemed concert halls and festivals including the Berlin Philharmonie, Concertgebouw Amsterdam, Carnegie Hall, Barbican Centre, Royal Albert Hall, Philharmonie de Paris, Vienna’s Konzerthaus and Musikverein, KKL Lucerne, Cologne Philharmonie, Munich’s Isarphilharmonie, Frankfurt’s Alte Oper, Hamburg’s Elbphilharmonie, Tonhalle Zurich, Philharmonie de Luxembourg, Teatro alla Scala, BBC Proms.
She collaborates with conductors such as Yannick Nézet-Séguin, Antonio Pappano, Klaus Mäkelä, Lahav Shani, Manfred Honeck, Riccardo Chailly, Gianandrea Noseda, Jaap van Zweden, Jakub Hrusa, Paavo Järvi, Elim Chan, Gustavo Gimeno, Fabio Luisi, Vladimir Jurowski, Dima Slobodeniouk, James Gaffigan, Mirga Gražinytė-Tyla, Susanna Mälkki and Zubin Mehta.
Beatrice is the guest of such orchestras as the Berlin Philharmonic Orchestra, Royal Concertgebouw Orchestra, London Symphony Orchestra, Bayerische Rundfunk Sinfonieorchester, New York Philharmonic, Cleveland Orchestra, Chicago Symphony Orchestra, Boston Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, NHK Symphony Munich Philharmonic Orchestra, Chamber Orchestra of Europe, Academy of St Martin in the Fields, Orchestre de Paris, Lucerne Festival Orchestra, Orchestra dell' Accademia Nazionale di Santa Cecilia, Orchestra Sinfonica della RAI, Filarmonica della Scala, Seoul Philharmonic among many other top orchestras.
In the 2024/25 season, Beatrice is artist in residence at Paris’ Radio-France. The residency will involve a recital at the Auditorium de Radio France and several concerts and tours with both in-house orchestras, the Orchestre Philharmonique de Radio France and Orchestre National de France and their music directors Mikko Frank and Cristian Macelaru. She will also return to the New York Philharmonic with Marek Janowski, Sinfonieorchester des Bayerischen Rundfunks under Gianandrea Noseda, Pittsburgh Symphony Orchestra under Manfred Honeck and debut with the Czech Philharmonic Orchestra.
Beatrice Rana records exclusively for Warner Classics. She released 6 albums receiving critical acclaim and several prizes including “Young Artist of the Year” at the Gramophone Awards and “Discovery of the year” at the Edison Awards in 2017. In June 2018, she was chosen as Female Artist of the Year at the Classic BRIT Awards at the Royal Albert Hall.
Beatrice Rana won Silver (2nd Prize) and the Audience Award at the prestigious Van Cliburn competition in 2013. She had attracted international attention at 18, winning 1st Prize and all special prizes at the Montreal International Competition in 2011. Born into a family of musicians Beatrice began her musical studies at four and achieved her Piano Degree under the guidance of Benedetto Lupo at the Nino Rota Conservatory of Music in Monopoli, where she also studied composition with Marco della Sciucca. She then studied with Arie Vardi in Hannover and again with Benedetto Lupo at the Accademia di Santa Cecilia.
In 2017, Beatrice started her own chamber music festival « Classiche Forme » in her native town of Lecce, Puglia. The festival has become one of Italy’s major summer events.
Born in 1995 in a family of musicians, Ludovica started her soloist career at a young age, performing in recitals for prestigious concert societies, including Società dei Concerti di Milano, Cremona Mondo Musica, Fazioli Concert Hall, Accademia Filarmonica di Messina, Varignana Music Festival, I concerti del Quirinale, Festival Classiche Forme, as well as a soloist with many orchestras, such as Orchestra ICO di Lecce, Orchestra di Padova e del Veneto and Orchestra Sinfonica Siciliana.
As a chamber musician, she had numerous collaborations with the sister Beatrice Rana, Enrico Dindo, Pablo Ferràndez, Giovanni Sollima, Bruno Giuranna, Oleg Kaskiv, Francesco Libetta, Massimo Quarta, Danilo Rossi, Alessandro Taverna, Pavel Vernikov.
After graduating with honors in 2014 at the Istituto Musicale “Giovanni Paisiello” in Taranto, in the class of Andrea Agostinelli, Ludovica continued her studies with Enrico Dindo at the Pavia Cello Academy and at the Conservatorio della Svizzera Italiana in Lugano, where she achieved her Master in Music Performance, and with Giovanni Sollima at the Accademia Nazionale di Santa Cecilia, where she graduated with honours. At the Accademia Nazionale di Santa Cecilia she also completed with honours the Chamber Music course with Carlo Fabiano.
She also studied with renowned cellists, such as Michael Flaksman, Johannes Goritzki, Antonio Meneses, Frans Helmerson, Antonio Mosca, Asier Polo, Troels Svane, Rafael Wallfish.
Since 2024 she is the Artistic Director Festival di Pasqua in Lecce. She is Chamber Music professor at the Conservatoire “Niccolò Piccinni” in Bari.
Stephen Waarts’ innate and poetic musical voice has established him as a firm favourite with audiences: he has already performed more than 30 violin concertos. Stephen has performed with various orchestras, such as the Chamber Orchestra of Europe, Hr-Sinfonieorchester, Antwerp Symphony Orchestra, Orchestre National de Belgique, Lucerne Symphony Orchestra, Halle Orchestra, and with conductors including Christoph Eschenbach, Marin Alsop, Constantinos Carydis, Nicholas McGegan, Maxime Pascal, and Elim Chan.
He made his debuts with the Konzerthausorchester Berlin with Stephanie Childress, and Israel Philharmonic Orchestra with Sir András Schiff, with Philharmonie Zuidnederland, Cappella Aquileia at Opera Festival Heidenheim, and the Nash Ensemble.
Waarts has appeared in recital at Philharmonie Luxembourg, Philharmonie Haarlem, Fundación Juan March, Lincoln Center for the Performing Arts, Auditorium du Louvre, Vancouver Recital Society and Wigmore Hall, with renowned musicians, such as Andras Schiff, Tabea Zimmermann, Marie-Elisabeth Hecker, Martin Helmchen and Timothy Ridout.
Waarts has appeared regularly at festivals including Aspen, Marlboro, Krzyżowa, Con Spirito Leipzig, Rheingau, and Jerusalem. He released Mozart Violin Concerto No. 1 for Alpha Classics with the Camerata Schweiz under Howard Griffiths.
He was awarded the International Classical Music Awards Orchestra Award by the Lucerne Symphony Orchestra in 2019.Stephen is completing his studies at the Kronberg Academy, after his Masters degree from the Curtis Institute, Philadelphia, where he studied under Aaron Rosand. In 2013 he won the Young Concert Artists International Auditions in New York, aged just 17. He was also prize-winner at the 2013 Montreal International Competition and won first prize at the 2014 Menuhin Competition. Stephen is part of the Development Programme of the Orpheum Foundation for the Advancement of Young Soloists.
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